Space Travel News  
JAPAN PRESS NEWORK
New 4K Video Tech 'Sees' in the Dark
by Brad Fujihara
Tokyo (JPN) May 05, 2016


Sony's newest, hottest commercial UHD camera is the squarish, black, innocuous-looking 700g SNC-VB770 network surveillance unit. Equipped with a 35mm full-frame CMOS sensor, it can take both 4K video and 12.2-megapixel color photos amid light as faint as 0.004 lux (a moonless clear night sky registers at .0002 lux).

The capabilities of rapidly developing 4K video technology are turning night into day, and claiming a place once ruled by only by infrared and night vision equipment. Engineers at Sony think they have reinvented a new night owl.

In many respects, Japan is the granddaddy of cutting-edge video development. Lavishly subsidized by the state since Tokyo hosted the Tokyo Summer Olympics in 1964, Japan's "Hi-Vision" specifications finally received the blessing of the International Telecommunications Union (ITU) as the global studio standard in 2000. Since then, high-definition TV (HDTV), the commercial equivalent of Hi-Vision, rapidly became the broadcast standard in most developed countries.

While the upgrade over prior media tech was truly revolutionary, evolution continues apace. Following an explosion in the market for HDTV-quality video equipment over the last 20 years, steady price falls have allowed 4K ultra high-definition (UHD) technology to make serious inroads in television and consumer media from 2015.

The difference between HD and UHD is significant on many levels; for the viewer, 4K UHD's 4320p quality contains over 8 million pixels versus just over 2 million pixels for standard HD 1080p resolution, resulting in unprecedented clarity. UHD's 16"9 aspect ratio (the same format seen in movie theaters) remains the same as HDTV.

"It will take some time before UHD broadcast quality takes root as the norm," says Sony sales engineering manager Koichi Tamura, present at Sony's display booth during Security Show 2016, an exposition held at Tokyo Big Sight in Odaiba from March 8 to 11.

"Still, for people into video recording and filmmaking, the graduation to UHD represents another quantum leap. Security and surveillance geeks, especially, want to be on the cutting edge."

Sony's newest, hottest commercial UHD camera is the squarish, black, innocuous-looking 700g SNC-VB770 network surveillance unit. Equipped with a 35mm full-frame CMOS sensor, it can take both 4K video and 12.2-megapixel color photos amid light as faint as 0.004 lux (a moonless clear night sky registers at .0002 lux).

Sony's 'E-mount' architecture maximizes the performance of the sensor, keeping resolution high across the entire image area. The camera also allows for a good deal of customization and flexibility, as Sony grants permission to third-party manufacturers to create lenses without having to pay royalties.

Since 2011, Sigma, Zeiss, Voigtlander, Rokinon, Zunow, Tamron and others have crafted new lenses that can be used with Sony's machine. Earlier this year, Sony also launched its own G Master brand of interchangeable lenses.

Other features include 'intelligent cropping,' which lets users crop images in 4K resolution from multiple images at the same time with simultaneous video streams. In dynamic mode, the camera can detect and track moving objects automatically. The camera's 'intelligent scene capture' feature also allows for automatic adjustments and adaptations in picture quality depending on time, weather and lighting conditions.

"Upgrading to 4K UHD can pose memory capacity problems due to the high pixel density, so the cropping function can save a great deal of disc space, and let the camera to focus on only what matters to the operator," says Mr. Tamura.

In a dark viewing room at the expo, Sony's UHD camera generates screen images imperceptible to the naked human eye, turning a near-pitch black moonless nature scene into clearly identifiable terrain in full color-reminiscent of professional, perhaps even military-grade night-vision equipment. Meanwhile, a competing HDTV screen of the same scene remains nearly completely dark.

"Anyone who's ever used even an infrared camera to see in the dark knows that even that technology can be unreliable. However, (Sony's) new surveillance camera...takes night vision to a whole new level," says tech review site Videomaker.

The SNC-VB770 is fully networkable, outfitted with connectivity for Wi-Fi, LAN, HDMI port, audio input, sensor input, and alarm output. Plans call for commercial availability from August at a price of about $7,500. The quality of the unit's imagery-thanks to Sony's world-class lead in sensor technology--should offer significant value over rival makers, adds Mr. Tamura.


Thanks for being here;
We need your help. The SpaceDaily news network continues to grow but revenues have never been harder to maintain.

With the rise of Ad Blockers, and Facebook - our traditional revenue sources via quality network advertising continues to decline. And unlike so many other news sites, we don't have a paywall - with those annoying usernames and passwords.

Our news coverage takes time and effort to publish 365 days a year.

If you find our news sites informative and useful then please consider becoming a regular supporter or for now make a one off contribution.
SpaceDaily Contributor
$5 Billed Once


credit card or paypal
SpaceDaily Monthly Supporter
$5 Billed Monthly


paypal only


.


Related Links
Sony
Japan News - Technology, Business and Culture






Comment on this article via your Facebook, Yahoo, AOL, Hotmail login.

Share this article via these popular social media networks
del.icio.usdel.icio.us DiggDigg RedditReddit GoogleGoogle

Previous Report
JAPAN PRESS NEWORK
LEDs Rekindle Old World Warmth
Tokyo (JPN) Apr 01, 2016
LED lighting is fast becoming more than just the wave of the future; it is also helping to revive the past. Marketers at lighting retailer ReUdo hope that Japan's stubborn love for its ancient traditions will help to spark sales of its decorative low-power LED-fired lamps. The Niigata-based firm held court to cadres of interested onlookers charmed by its collection of flickering displays i ... read more


JAPAN PRESS NEWORK
Date set for second SLS booster test

New small launch vehicles

Vector Space Systems aims to redefine space commerce

Spaceport Camden Partners with NASA Innovation Competition

JAPAN PRESS NEWORK
Although Boiling, Water Does Shape Martian Terrain

Boiling water may be cause of Martian streaks: study

Airbus DS to build STEM centre at its UK Exomars facility

Opportunity robotic arm camera passes diagnostic test

JAPAN PRESS NEWORK
NASA research gives new insights into how the Moon got inked

First rocket made ready for launch at Vostochny spaceport

Supernova iron found on the moon

Russia to shift all Lunar launches to Vostochny Cosmodrome

JAPAN PRESS NEWORK
Pluto's Interaction with the Solar Wind is Unique, Study Finds

Pluto: A Global Perspective

New Elevation Map of Pluto's Sunken 'Heart'

Planet Nine: A world that shouldn't exist

JAPAN PRESS NEWORK
Three Earth-sized planets

Light Echoes Give Clues to Protoplanetary Disk

On the Road to Finding Other Earths

Kepler spacecraft recovered and returned to the K2 Mission

JAPAN PRESS NEWORK
US engineers inspecting all Russian RD-180 engines amid determined anomaly

Why Washington cannot ban Russia's RD-180 rocket engines

Date set for second SLS Booster qualification ground test

US to reduce dependence on Russian rocket engines soon: Bolden

JAPAN PRESS NEWORK
China's space technology extraordinary, impressive says Euro Space Center director

China can meet Chile's satellite needs: ambassador

China launches Kunpeng-1B sounding rocket

South China city gears up for satellite tourism

JAPAN PRESS NEWORK
Comet from Oort Cloud brings clues about solar system's origins

Elektra: A New Triple Asteroid

New Ceres Images Show Bright Craters

Little Lander That Could: The Legacy of Philae









The content herein, unless otherwise known to be public domain, are Copyright 1995-2024 - Space Media Network. All websites are published in Australia and are solely subject to Australian law and governed by Fair Use principals for news reporting and research purposes. AFP, UPI and IANS news wire stories are copyright Agence France-Presse, United Press International and Indo-Asia News Service. ESA news reports are copyright European Space Agency. All NASA sourced material is public domain. Additional copyrights may apply in whole or part to other bona fide parties. All articles labeled "by Staff Writers" include reports supplied to Space Media Network by industry news wires, PR agencies, corporate press officers and the like. Such articles are individually curated and edited by Space Media Network staff on the basis of the report's information value to our industry and professional readership. Advertising does not imply endorsement, agreement or approval of any opinions, statements or information provided by Space Media Network on any Web page published or hosted by Space Media Network. General Data Protection Regulation (GDPR) Statement Our advertisers use various cookies and the like to deliver the best ad banner available at one time. All network advertising suppliers have GDPR policies (Legitimate Interest) that conform with EU regulations for data collection. By using our websites you consent to cookie based advertising. If you do not agree with this then you must stop using the websites from May 25, 2018. Privacy Statement. Additional information can be found here at About Us.